The Battle of the Nile — Nicholas Pocock (1808)
Sunset over Aboukir Bay, the air taut with canvas and intent. Nicholas Pocock’s commanding scene fixes the start of the action at about 6:30 pm on 1 August 1798, viewed from an elevated vantage to the south, looking north-west across the anchorage. Captain Foley’s HMS Goliath (74) leads Nelson’s fleet in the audacious doubling of the anchored French line, while palms and turbaned onlookers root the drama unmistakably in Egypt. Painted by a mariner-turned-master renowned for rigging accuracy and battle realism, this is the Nile poised to erupt.
Why it captivates
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Turning point, captured at ignition — the British cut in at the head of the French line exactly as the sun falls.
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Master navigator’s eye — Pocock’s sea-time and preparatory sketches underpin meticulous ship and rig detail.
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Cinematic staging — sweeping vista with the French line receding and the British van driving hard in from seaward.
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Roll-call of legends — Goliath, Zealous, Guerrier, L’Orient, Guillaume Tell, Tonnant, Franklin, and more.
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Sense of place — palms, figures, fort guns and gunboats make the Nile a living theatre, not a generic sea fight.
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Statement piece — powerful colour and structure that anchors a study, library, office or gallery wall.
What you’ll see
In the right foreground, the rearmost anchored French ship, Timoléon (74), lies port-quarter on; ahead, the line runs into distance: Généreux (74), Guillaume Tell (80), Mercure (74), Heureux (74), Tonnant (80), L’Orient (120) (Brueys’s flagship), Franklin (80), Peuple Souverain (74), Aquilon (74), Spartiate (74), Conquérant (74), Guerrier (74). Across the right background, the British fleet stands in from right to left, with HMS Goliath just rounding the head of the French line. HMS Zealous (74) swings round Guerrier’s bows to strike the van from the landward side. In the left foreground, palm trees and turbaned figures gesture towards the fight; offshore lie the French frigates Justice (40) and Diane (40), with Artemise (40) and Sérieuse (36) further out. Aboukir Island smoulders with fort guns and gunboats; by the time the battle peaks, night has fallen.
A richer historical frame
Pocock (Bristol-born; at sea from age 17; master of merchantmen) turned professional painter in his forties and became a favourite of naval commanders for accuracy drawn from annotated sketches and plans. This canvas, signed and dated “N Pocock 1808,” distils the opening phase of Nelson’s Nile victory: the British doubling manoeuvre against an anchored opponent, delivered at day’s end under Egyptian guns. It is both a document of tactics and a staged meditation on light, place, and momentum.
Choose your finish
🌟 Heavyweight Paper (160 gsm matte)
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Archival-grade, smooth matte stock ideal for framing under glass.
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Crisp linework and tonal depth with minimal glare.
💎 Laminated (True Encapsulation)
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Encapsulated in 2 × 80-micron gloss laminate, sealed edge-to-edge for durability.
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Wipe-clean surface—perfect for classrooms, studios, and busy spaces.
🪵 Laminated + Timber Hang Rails (Ready to hang)
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Lacquered natural timber rails with fitted hanging cord; no frame required.
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Please allow up to 10 working days for hang-railed delivery.
🏆 Archival Canvas (395 gsm HP Professional Matte)
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Museum-quality texture with pigment-based, fade-resistant inks for rich tone and crisp detail.
🪵 Canvas + Timber Hang Rails (Gallery-ready)
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As above, supplied with lacquered natural timber rails and hanging cord.
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Please allow up to 10 working days for hang-railed delivery.
Size (W × H)
841 × 579 mm (approx. 33.11 × 22.80 in)
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Orientation: Landscape
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Aspect ratio: ~1.453 : 1
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Nearest standard frame: A1 (594 × 841 mm) — landscape
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Framing tips:
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Classic look: use an A1 frame with a mat window cut slightly undersize (e.g., ~837 × 575 mm) to overlap edges by 2–3 mm.
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Contemporary look: float-mount in an A1 frame—the 15 mm height difference creates a neat reveal.
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Custom sizing: Available on request (alternate aspect ratios or added white border).
Specifications
| Feature | Details |
|---|---|
| Title | The Battle of the Nile |
| Painted/Date | Nicholas Pocock, 1808 |
| Historical Context | Opening phase of the Nile action, ~6:30 pm, 1 Aug 1798; British doubling the anchored French line at Aboukir Bay |
| Commission/Provenance | Signed and dated “N Pocock 1808”; based on the artist’s annotated sketches and plans |
| Print Size | 841 mm (W) × 579 mm (H) |
| Available Finishes | Paper, Laminated, Laminated + Timber Hang Rails, Canvas, Canvas + Timber Hang Rails |
| Paper Weight | 160 gsm archival matte |
| Laminate | 2 × 80-micron gloss (true encapsulation) |
| Canvas Weight | 395 gsm HP Professional Matte Canvas |
| Inks | Pigment-based, fade-resistant |
| Optional Hang Rails | Natural timber, lacquered; fitted hanging cord (allow up to 10 working days) |
| Origin | Printed in Australia |
Who it’s for
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Naval historians & scholars analysing tactics, line-handling, and ship identities
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Collectors & curators seeking rigorously observed Age-of-Sail battle art
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Educators & museums interpreting the Mediterranean campaigns of 1798
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Designers & stylists creating heritage-rich interiors with narrative depth
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Gift-givers honouring sailors, veterans, and maritime enthusiasts
Our Commitment
Every print is produced locally in Australia on premium substrates with careful colour management, then checked and packed by hand so it arrives ready to impress. From studio to wall, we stand behind the craftsmanship and historical integrity of your piece.
Turn sunset at Aboukir into a conversation—order your fine-art print of Nicholas Pocock’s Battle of the Nile today.
